DC Rebirth: The Liveblog

DC RebirthDC Comics is going to be giving the dirt on Rebirth this morning at Wondercon, and they’re livestreaming the event on their YouTube channel. Dutiful nerd that I am, I decided to watch. Then I thought, what the heck? I’ve got a nerd blog. Why not post my reactions in real time as well?

So keep it on this page during the panel, folks, and hit refresh every few minutes. I’ll update as they do.

Kicking things off, they showed a video of DC heroes over the years, then they brought Dan DiDio and Jim Lee to the stage. Lee’s kind of adorkable, not entirely comfortable on camera but doing his best.

DiDio is calling rebirth a “reconnection to the fans” and says he wants to show the fans “we care about these characters as much as you do.” Without transcribing every word, he’s basically saying, “We hear you, and we feel it too, and here’s Geoff Johns to tell you more.”

(Brief tangent: How awesome is it that we live in an age where they can make this announcement in California, they put it on the internet, and I can watch it on my TV at home?)

Johns: “Rebirth is NOT a reboot.” As we have heard. He’s calling it “the next chapter.”

Johns on Green Lantern: Rebirth, and how it relates to the new initiative: “Rebirth is about taking everything, past and present, taking everything wonderful about these characters and bringing them to the fore.”

“What’s missing to me is Legacy.” YES.

The Rebirth one-shot in May will feature “the biggest secret in the DC Universe.” It will return some characters. It “may” feature the death of a character. Because of course it will.

Showing off some of the new designs for the characters. Oh my GOD, I love Supergirl so much. As soon as the pictures make it online, I’ll try to add them to this post.

Didio reiterates that the books will all be $2.99 an issue, with 17 twice-monthly titles and 14 monthly books. So fewer titles overall, but about the same number of issues a month.

Now we’re getting a video of fans and creators saying what their favorite DC stories are. I’m not disagreeing with any of the choices, but the audio sucks. We keep getting echo from the hall, and the sound is really low. Hopefully this isn’t going to be anything vital.

Bringing out the “Bat-Family,” Tom King (whose Vision is awesome) writing Batman, James Tynion IV on Detective Comics, Tim Seely on Nightwing, Hope Larsen on Batgirl and I missed the names of the women writing Batgirl and the Birds of Prey. This Batman image is crazy — a man and woman behind him wearing costumes with Batman colors but Superman-shield-shaped symbols with old lettering.

Augh, the video froze! Somebody tell them in LA!

It’s back.

TIM DRAKE AS ROBIN IN DETECTIVE COMICS! It’s a team book with Batman, Tim, Batwoman, Spoiler, CLAYFACE, and Cassandra Cain, whose new identity will come out of Batman and Robin Eternal.

Seeley’s first Nightwing arc is called “Better than Batman.” Tom King is verklempt.

Hope Larsen’s Batgirl looks like she’s running with the ball from the Burnside era, but taking her to Asia to “find herself as a person.” Rafael Albuquerque on art.

Julie Benson and Shawna Benson on Batgirl and the Birds of Prey. Somebody is pretending to be Oracle, and Barbara is ticked off. Black Canary and Huntress on the team… what version of the Huntress, then?

Scott Snyder, whose Batman has been awesome, will be teaming with John Romita Jr., on a twice-monthly All Star Batman. Romita’s co-artists will be Jock and Sean Murphy. Snyder says he wants to do stuff with the villains he hasn’t gotten to do before. At this point, you could give Snyder a Care Bears comic and I would read it. Also, Snyder is now DC-exclusive.

I’m sorry, I gotta say it again — Tim Drake as Robin.. And wearing a version of his classic costume. This makes me SO HAPPY.

Superman family!

Dan Jurgens writing Action Comics! The image is Superman slugging it with Lex Luthor in a kind of Superman armor. Dan says that this is the Superman and Lois from the current Lois and Clark series.

Gene Yang on New Superman. This one looks odd. It stars a Chinese teenager who somehow gets Superman’s powers. If anyone can do it, it Yang.

Steve Orlando on Supergirl! Again, I love this costume. It’s much more like the TV suit, and very classic-looking. Cat Grant is in the image too. Cyborg Superman (who in this universe is Kara’s father, Zor-El) will be in the book too.

Trinity, written and drawn by Francis Manapul, starring you-know who.

Phil Jimenez writing and drawing Superwoman! (Who the hell is Superwoman?)

Peter Tomasi writing Superman, which is awesome.

Then there’s Liam Sharpe on Wonder Woman. Is she a Superman-family book now? Jim Lee is calling Sharp his “big get” for Rebirth, like Greg Capullo was for the New 52. The costume, especially the colors, is very reminiscent of Gal Gadot. The book will be written by Greg Rucka!

The book will be written by Greg Rucka! And Sharp will be sharing art chores with Nicola Scott. Rucka says Sharp will be doing odd-numbered issues that take place in the present, while Scott will do even-numbered “Wonder Woman Year One” stories. Scott is AMAZING. This is a perfect fit for her.

Up next will be the Justice League family.

Tony Daniel doing art for Justice League. Bryan Hitch writing. TWO Green Lanterns on the team — Simon Baz and Jessica Cruz.

Joshua Williamson writing Flash. New Flash villain, “Godspeed.” Nice and creepy visual on this guy – skinny, all white, almost like Slenderman meets the Flash.

Robert Venditi writing Hal Jordan and the Green Lantern Corps. This book will have Ethan Van Sciver and Rafael Sandoval on art. Venditi says the book begins with Sinestro planting his Warworld in the center of the universe, where Oa once was, and it’s the story of what Hal and the Corps (including John Stewart and Guy Gardner) do next.

Sam Humphries writing Green Lanterns. Johns is going to co-write the Rebirth one-shot with Humphries. The book will star Jessica Cruz and Simon Baz as “the new Green Lanterns of Earth.” They’re rookies, partners, and “don’t know what they think of each other yet.” Humphries calls it “Lethal Weapon with alien technology.” Nice. The Red Lanterns are the bad guys in this book.

John Semper on Cyborg. Art by Will Conrad and, one of my favorites, Paul Pelletier. Semper says the book will be about Cyborg as someone “already living with the Singularity… where does the soul of the man begin and the soul of the machine start?”

Dan Abnett on Aquaman. Johns talks about Abnett’s past awesome work on Legion Lost and Guardians of the Galaxy. He’ll be co-writing with Brad Walker, who also will be sharing art chores with two others. (They’re flashing the credits on screen, guys, I’m writing as fast as I can, but I miss some.) Abnett says in this book Aquaman wants to make Atlantis “part of the world.” I can totally see Arthur sitting in a United Nations panel.

Abnett will also be writing Titans with Nightwing, Arsenal, Donna Troy, Tempest. Who is the woman in green?

Jason Fabok is here to talk about issue 50 of the current Justice League run, which he’s drawing. He says it will “blow your minds.” Okaaaay… so why are we talking about it on the Rebirth panel? I assume it’ll lead into the one-shot?

Holy crap. Johns just said this is going to follow-up on the part in issue 42 where Batman asks the Mobius Chair what the Joker’s real name is. They teased this with an image of many Jokers throughout the years. What the HELL are they up to?

Jimmy Palmiotti and Amanda Conner on Harley Quinn. Jim Lee says these two have made Harley “the fourth pillar that supports House DC.” Hard to argue with that. Conner says the book will have “more of the same madness PLUS.” The costume looks like they’ve merged the New 52 version with the movie version. She definitely has Margot Robbie hair.

Philip Tan on Suicide Squad. Lee will also be working with Rob Williams writing. He clarifies that each twice-monthly book has “a team of artists.” They tried to find artists with similar styles and sensibilities that work well together. Tan calls the book about “redemption.” The team will be Killer Croc, Harley Quinn, Deadshot, Rick Flagg, Katana, Boomerang… basically the movie team. Lee further says that Harley and Croc will be an interesting team-up, and Conner jumps in with “Harley’s power is that she doesn’t really know that she can’t do anything.” DiDio adds that she’s now DC-exclusive.

Conner says a lot more guest-stars in Harley’s book, including Poison Ivy, Power Girl, and a lot more “bat-characters and non-bat characters.”

Remaining titles:
Ben Percy on Green Arrow.
Red Hood and the Outlaws co-starring Bizarro and Artemis.
The Hellblazer by Simon Oliver, with Swamp Thing.
Deathstroke with Christopher Priest.
Batman Beyond with Dan Jurgens and Bernard Chang. “The return of Terry McGuinness.”
Blue Beetle with Keith Giffen, starring Jaime Reyes AND HIS MENTOR TED KORD!
Damian Wayne leads the new Teen Titans, by Ben Percy. The Titans apparently aren’t thrilled about this.
Super Sons — no creative team, but “Son of Superman meets son of Batman.”
Justice League of America — “which we can’t talk about yet,” Johns says.

Finally, the full cover of the Rebirth special, by Gary Frank, shows the heres of the DC universe reaching out towards a hand reaching out from the light. It’s intriguing, to say the least.Rebirth special, by Gary Frank, shows the heres of the DC universe reaching out towards a hand reaching out from the light. It’s intriguing, to say the least.

Overall impressions… I’m really liking what I’m seeing. There are some killer creative teams, and some books I can’t believe I’m seeing. Some stuff is outright insane, but in a good way.

You have my attention, DC Comics.

 

 

At the Movies Episode 50: 10 Cloverfield Lane

J.J. Abrams and Dan Trachtenberg snuck out a spin-off to the 2008 film Cloverfield, and this week, the Showcasers take a look at it. In a brief, spoiler-free discussion, the crew tells you if it’s worth your time.

And what’s cool this week? Jason enjoyed Season 1 of NBC’s Superstore, Erin is reading Stephen King’s Bazaar of Bad Dreams, the second season of The Flash continues to impress Kenny, and Blake is hoping against hope for a second season of The Muppets.

Music provided by Music Alley from Mevio.

At the Movies Episode 50: 10 Cloverfield Lane

 

Three Wishes: DC Rebirth

DC Rebirth In case you somehow missed it, DC Comics recently announced a new upcoming line-wide initiative they’re calling DC Rebirth. Details – except for the titles of the books – have been sparse thus far, but that’s never going to be an obstacle to fan speculation or random guessing. What we know for sure, according to Geoff Johns, is that this initiative will use the same core concept as his Green Lantern: Rebirth and Flash: Rebirth stories, that of attempting to respect the present while, at the same time, recapturing the glory of the past. This has me feeling cautiously optimistic. Both of those aforementioned stories were very good, and I’ve thought ever since the New 52 relaunch that the biggest thing missing from DC was their wonderful sense of legacy.

That optimism in mind – and in a deliberate effort to counteract the Internet Hate Machine that knows for certain that everything will be terrible several months before it has, technically, been created, today’s Three Wishes is dedicated to those elements I hope the DC Universe – whatever shape it takes – will reflect from now on.

  1. Family

OConvergence-Speed Force 1ne of the things the New 52 did was roll back the ages of most of DC’s main characters. In so doing, many of the family units that previously existed were eradicated. The children of Wally West, Roy Harper, Alan Scott and others never existed at all. There was later a hullabaloo when the writers of Batwoman walked off the book, angry that DC wouldn’t allow them to marry off Kate Kane to Maggie Sawyer. Some took this as DC being opposed to gay marriage, which was ludicrous. If they had an anti-gay mindset they never would have published the book in the first place. No, it was any marriage DC was opposed to. The marriages of Lois and Clark, Barry and Iris, Arthur and Mera – all had been annulled in the most literal way possible. Only Animal Man seemed to survive with his family intact, and that is no doubt because virtually every good Animal Man story ever written has included his wife and children at the very core of it.

Even Jonathan and Martha Kent, who had been (mostly) alive since the 1986 Man of Steel reboot, were now both dead in the main DCU. With the sudden dearth of children, spouses, and parents, ironically, Batman now had the most successful family unit in the DC Universe.

There’s some weird notion – not just at DC, not just at Marvel, but in adventure fiction in general – that giving a protagonist a family limits storytelling potential. Think about it, what do you know about Han Solo’s parents? Does Flash Gordon have any brothers or sisters? When they married James Bond in On Her Majesty’s Secret Service, didn’t they kill off his wife before the movie even ended? How many classic heroes’ adventures end with the hero settling down with a family, or at least implying that this transition is imminent?

Superman-Lois and Clark 2Family is only an obstacle if the writer is narrow-minded enough to make it so. Bill Willingham’s Fables not only went on another 100 issues after the marriage of Snow White and Bigby Wolf, but their cubs became a vital part of the engine of that series. The Fantastic Four has always been about family, but the introduction of Reed and Sue’s children have made it unique among mainstream comics. Perhaps my favorite comic being published right now is Superman: Lois and Clark, precisely because it gives us a Superman in a family dynamic we’ve never seen before. Clark and Lois – those from the Pre-Flashpoint DCU – now live in the current DCU. Nobody knows who they really are, and they have only each other to rely on, while at the same time trying to raise and protect a son who is unaware of his parents’ great secret. It’s wildly fun. We know there will be a post-Rebirth title called The Super-Man. If that acts as the lifeboat for these characters, I’ll be overjoyed.

This is not to say I think every DC character needs to line up to walk down the aisle any time soon. That would be as short-sighted as refusing to let any of them marry. But shouldn’t at least the possibility be allowed to exist? Writers are hired to tell stories, and while some level of editorial control is beneficial, why would you automatically cut off access to any road without at least peering ahead to see where it could lead?

  1. Legacy

Green Lantern Secret Files 1It may seem like a bit of a cheat to use this as my second “wish,” since Geoff Johns has already specifically stated restoring a sense of legacy is one of the goals of Rebirth, but I think it’s worthwhile to explore what exactly that means and what I hope it will mean to DC.

In the New 52 Universe (or Prime Earth, or whatever it’s called these days), Grant Morrison reinstated the notion of the Golden Age that Superman was, in fact, the first superhero. Back in the 30s and 40s it was easy to recognize Superman as being first, as all of the characters were brand new. But as time passed, some of Superman’s allies were retired, then later replaced. When DC brought in a new Flash, a new Green Lantern, a new Atom, but still had the original Superman, Batman, and Wonder Woman, problems understandably started to crop up. The solution, at the time, was simple: the current versions lived on Earth-1, the originals were on Earth-2. But Crisis on Infinite Earths did away with that in favor of a merged timeline in which Superman ushered in the modern age of heroes, inspired by the Justice Society (sans Superman) of old.

This is the trouble with comic book “elastic time.” Having characters like the JSA so inexorably linked to a real-world event like World War II makes their use increasingly complicated as time goes on. Marvel had this same problem, but to a much lesser extent, because they retired all of their World War II-era heroes, and those that later returned had easy outs to explain their longevity (Captain America was frozen in ice, the Sub-Mariner was a mutant, Stan Lee had the power cosmic, etc.).

Justice Society of America ufV3 1Look, I get the desire to give Superman the significance of being first. He’s earned it. But with a restored multiverse it’s easy to give him that honor while still having a “prime” Superman who lives in a world of earlier heroes. Even if they aren’t currently being featured anywhere, characters like the JSA, the Seven Soldiers of Victory, and the All-Star Squadron are part of the fabric of DC Comics. Removing them from DC’s history robs us just as much as we would be robbed by removing Thomas Jefferson and Benjamin Franklin from American history.

And legacy doesn’t work just one way. As rich as DC’s past has been, so too has their future. Yes, I’m talking about the Legion of Super-Heroes. There is no greater testament to Superman and the Justice League than the idea that they will still be inspiring new heroes 1000 years in the future. The Legion needs to return. How? I’m not sure. You won’t find a more devoted group of comic book fans than those who love the Legion, but “devoted” is not, unfortunately, a synonym for “large and with an incredible amount of spending power.” But something needs to be done to Rebirth the Legion into a going concern once again.

  1. Joy

Bizarro 1One of the main complaints levied against DC in recent years – and one that is difficult to argue with – is that the books largely have taken on a grim tone. That’s fine in some cases, but it should never be the case across the board. Sure, Batman lives in darkness, and the members of the Suicide Squad are inherently dirty characters, but that can’t apply to everybody. Superman is, and should be, a symbol of hope. Green Lantern literally makes things out of light. The Flash… hell one of his main foes is a talking gorilla. Be it Jay, Barry, Wally, or other, nobody should enjoy his life more than the fastest man alive.

Dan Didio has gone on record as saying that being a superhero should come at a cost. (This is also largely the rationale for doing away with the families of so many characters.) To a degree, I can agree with that – y’know, the whole “with great power” jazz. But it doesn’t always have to be the same cost, does it? And debts can eventually be paid, except of course for student loans, so why must these characters be burdened with the cost of being a hero for their entire lives?

This was one of the reasons I quit reading Daredevil years ago. While it was unquestionably one of Brian Michael Bendis’s better runs, it eventually became so relentlessly bleak that I just couldn’t take it anymore. “Can’t Matt Murdock ever have a good day?” I would ask of random passerby, who would then look at me funny because Netflix wasn’t a thing yet and they had no idea who I was talking about.

Real life is not in monotone. Nor should be our fiction. In fact, the best fiction of any kind – the most compelling stories and most engaging characters – recognize this. Ask a Futurama fan what the best episode of that series was and, if they can stop crying long enough, they’ll tell you it was “Jurassic Bark.” Scrubs viewers will likewise say one of the show’s most memorable moments came when it was revealed that Dr. Cox’s best friend had died of cancer, and all the wacky hijinks in that episode were the bitter daydreams of a grieving man. But just as comedy is better when there are moments of solemnity, so too are more serious stories served by having rays of light. Few people will deny that Breaking Bad is one of the greatest dramas of the 21st century, but that doesn’t account for how unexpectedly funny it could be. (Just watch it. You’ll never again try to dispose of a body in a bathtub full of acid without giving in to a knowing chuckle.)

Harley Quinn v2 19DC has begun to make strides in this direction. Harley Quinn is a mostly-lighthearted book, as is the new Burnside era of Batgirl. Last year’s Bizarro and Bat-Mite miniseries were both wonderful. But that’s just a start. DC’s most popular media incarnations at the moment are the Flash and Supergirl TV shows – both of which are unabashedly fun – and Arrow, which embraces darkness more fully. And they all work. And they all fit together. And it’s a beautiful thing. The creators of these shows have mined the rich history of the characters for the wonderful things that made them last, while at the same time recognizing that they don’t have to be exactly the same to coexist.

DC TV takes its cues from DC of old. It’s time for DC of today to do the same thing.

Episode 319: Star Wars-The Showcase Marathon

This weekend was the cultural event of the century, the premiere of Star Wars: The Force Awakens. To prepare for it, Blake and Erin spent a week watching and reviewing the first six Star Wars movies one-by-one, before finally finishing up with a massive spoiler-rich analysis of The Force Awakens. (Don’t worry, the spoilers don’t come until after they’ve discussed the other six movies.) In this extra-sized episode, they talk about everything they love — and hate — about the seven movies of the Star Wars saga.

And what’s cool this week? While Erin is still too enraptured by Star Wars to think of another recommendation, Blake is there to talk about the first half-season of CBS’s Supergirl and the first issue of IDW’s Mickey and Donald Christmas Parade.

Music provided by Music Alley from Mevio.

Episode 319: Star Wars-The Showcase Marathon

Gut Reaction: Supergirl Episode One

SupergirlLast year, Greg Berlanti and Andrew Kreisberg brought us The Flash, and immediately won me over with a show that fully captured of the joy of being a superhero, with fun characters and littered with enough DC Comics Easter Eggs to satisfy the nerd in me without being so overwhelming as to turn off a non-viewer. With the first episode of Supergirl, they appear to have done so again.

WARNING: Spoilers for the pilot episode ahead.

In a quick 60 minutes, we are introduced to Kara Zor-El (Melissa Benoist) and given enough backstory for newcomers to know who she is in relation to her more famous cousin, while at the same time leaving plenty enough space from him for the character to be her own person. We are introduced to a good-sized supporting cast, including some familiar faces from Superman lore (both the characters and the actors playing them) and a few new characters. We meet the villains of the piece and are given a solid introduction to what will apparently be the show’s major arc, at least for the first season (a station of Phantom Zone criminals — more than just Kryptonian — came to Earth along with Kara and it’s up to her and the DEO to stop them).

It checks all of the boxes it needed to in order to have an adequate pilot episode.

So why was it so much MORE than simply adequate?

I give the credit for that to Benoist, Berlanti, and Kreisberg.

The latter have already created a televised universe of superhero shows that are wonderfully engaging both for hardcore comic book fans and casual viewers alike. Although “Supergirl” is not technically part of that universe, they’ve brought that same sensibility over to this new series. And that’s a major part of why this first episode worked for me.

karaBut more importantly, I think, is Benoist’s performance. She plays Kara Danvers with utter sincerity. She’s a young woman who feels somewhat intimidated and overshadowed by her world-famous (male) relative, but she’s determined to make something of herself and choose her own path. The fact that she’s this world’s first female hero is of no minor consequence, either. We live in a time where both DC Comics and Disney’s Marvel and Star Wars franchises have come under constant fire for under-representing or poorly representing their female characters in merchandise and popular media. And more than once, the show comes a little too close to looking out at the viewer and saying, “See? We CAN give you a female superhero worth watching.”

But treading the line is not crossing it, and they manage to pull back each time and return to the point of having fun with the premise, including a nice montage of Kara looking for a costume that pokes a little fun at some of the stupider conventions of female costumes, plus what I can only assume is a minor dig at The Incredibles that was totally worth it.

heat-vision-53b1bIt wasn’t a perfect pilot episode. The final act in particular felt like it went WAY too fast — Allura’s message to Kara is too brief, Kara finds her resolve too easily, and Henshaw relents to let Kara fight Vartox without enough of an argument. If you told me there’s a 90-minute cut of this pilot that expands the ending, I would have to nod and say, “Yeah, that makes sense.” And while the Phantom Zone criminal thing is a good way to bring in a lot of different villains without having to come up with an origin story every time, they need to be very careful not to let it turn into the Freak of the Week formula that hurt the first few seasons of Smallville.

But all that said, it was a wonderful start.

And perhaps more importantly, my sister Heather watched it with her 5-year-old daughter, Maggie, who already loves superhero cartoons. If this show gives Maggie her first live-action hero to look up to, then literally none of the faults I mentioned above will matter in the slightest. This show will have more than done its job.

Episode 317: Star Wars Land and More From D23

This weekend was D23, the big biannual Disney convention out in California, and some massive nerd news hit the internet. In this episode Blake and Erin chat about the announcement of Star Wars Land and Toy Story Land, as well as some tidbits about upcoming Disney, Marvel, Pixar and Lucasfilm movies, the expansion of Frozen at Epcot Center, a new Jungle Cruise restaurant, and more!

And what’s cool this week? Erin picks the first season of the freshly binge-watched Arrow, and Blake enjoyed the first issue of DC Comics Bombshells.

Music provided by Music Alley from Mevio.

Episode 317: Star Wars Land and More From D23

Episode 217: SCREAMing For Your E-Mails

scream-4-posterBlake is back this week with his review of Scream 4! How does it hold up to the films in the original trilogy? Does it hold up? Can it hold-up? His spoiler-free thoughts are inside. Then, it’s on to your e-mails, where we chat about the shutdown of Tokyopop, Brightest Day, Reign of Doomsday, the Metal Men, and recommendations for all-ages comics! In the picks, Blake loved the Captain America: The Fighting Avenger one-shot. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

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